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Twenty-Six Seconds: A Personal History of the Zapruder Film
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Review
"A fascinating and cautionary tale."―Wall Street Journal"Zapruder is a gifted writer and storyteller who delicately unravels a minor mystery few people know or care about, but that she makes human, complex and quite interesting."―New York Times Book Review"Making use of family and government archives, interviews, and her own memory, Alexandra offers a supple, tender portrait of a family lashed to history."―Boston Globe"The fifty year saga of the most important witness to the JFK assassination-a home movie shot by Abraham Zapruder-is a high-stakes morality tale, suspenseful, thought-provoking, and at times nasty. Zapruder's embattled descendants defend their claim to the film, while researchers, conspiracy theorists, disapproving editorial writers and the federal government swirl around them, and millions of dollars hang in the balance."―John Berendt, New York Times bestselling author of Midnight in the Garden of Good and Evil"A first-rate work of biography and history, addressing the film and the family in all their complexity and character...absorbing, deeply researched."―USA Today"Enlightening...an intelligent blend of memoir and cultural criticism that breaks fresh ground in the crowded field of JFK assassination studies."―San Francisco Chronicle"A moving and enlightening account of the famous film."―Joyce Carol Oates, The Washington Post"Riveting...offers up a complex and highly entertaining story of an assassination, a reel of film, and a Texas-based clan, which also draws in Dan Rather, Life magazine, Geraldo Rivera, the Warren Commission, a pile of money, and a whole lot more."―The National Book Review"The odyssey of America's most famous amateur footage is recounted with skill and sensitivity....Alexandra is a fine storyteller... the story never lags...Alexandra Zapruder has written a book which transcends the film and the tragedy in Dallas."―Washington Independent Review of Books"Riveting."―The Dallas Morning News
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About the Author
Alexandra Zapruder began her career on the founding staff of the United States Holocaust Memorial Museum in Washington, D.C. A graduate of Smith College, she later earned her Master's Degree in Education at Harvard University. She is the author of Salvaged Pages: Young Writers' Diaries of the Holocaust, which won the National Jewish Book Award in the Holocaust category. She also served as the guest curator for an exhibition of original diaries at Holocaust Museum Houston. She wrote and co-produced I'm Still Here, a documentary film for young audiences based on Salvaged Pages, which was awarded the Jewish Image Award for Best Television Special by the National Foundation for Jewish Culture and was nominated for two Emmy awards. Alexandra has traveled around the country and spoken to thousands of teachers, students, and others about her work.
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Product details
Hardcover: 480 pages
Publisher: Twelve; First Edition edition (November 15, 2016)
Language: English
ISBN-10: 1455574813
ISBN-13: 978-1455574810
Product Dimensions:
6.2 x 1.5 x 9.2 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
95 customer reviews
Amazon Best Sellers Rank:
#166,910 in Books (See Top 100 in Books)
This book tells the story of Abraham Zapruder, the businessman who made the famous film of the moment when John F. Kennedy was assassinated in Dallas. His granddaughter recounts how this fateful moment affected him, and the entire family, for fifty years. Beautifully written, historically fascinating -- a tender account of a family suddenly and brutally drawn into a national tragedy.
Bits and pieces of familiar history gathered up into one place made for interesting reading. I especially appreciated the insight into the questions and dilemmas faced by the Zapruder family regarding the possession and ownership of the film. It's amazing how large those twenty-six seconds have loomed in American history and in the imaginations of many people.
The other day I saw an author describing her book on Book TV. Alexis Zapruder has written a book about the home movie taken by her late grandfather, Abraham Zapruder, in Dallas in November, 1963. My interest in that event is not very strong at all--I've had enough. But her description of her grandfather's escape from the violence of anti-semitic pogroms in Imperial Russia and his arrival at Ellis Island, his life here, and my recollection of a watching a live interview with him in November 1963 did cause me to order the book.It came almost instantly through the ether, and I immediately stopped reading everything else and dived into it.Alexis Zapruder is one very excellent writer. She is very thorough, she is clear, and she organizes well. More than all of that , her accuracy of phraseology and choice of words leaves absolutely nothing unclear about what she intends to say.The subject matter is multifaceted and covers a broad spectrum. How did a Bell & Howell Model 414 Zoomatic Director Series Super 8 camera work? What was involved in the processing of Super 8 Kodachrome film? How could one duplicate the film? How did image quality degrade with each subsequent copy of a copy? What is inter-sprocket imaging? That's great reading for a photographer.For others, there is rather thorough but very clear discussion of copyright law and of fair use doctrine, of imminent domain and the Takings Clause of the Fifth Amendment to the US Constitution, of methods of valuation of rare objects, and the arbitration process.For historians and aficionados of mystery stories, there is the main subject--the whole story of the ownership of the film and of disputes thereabout, of piracy, attempted theft, deceit, of government strategies to ignore the Constitution.... Frankly, one could substitute a lost work by Caravaggio for the Zapruder film and lose little or nothing of the excitement of this part of the book.All of this, of course, is woven against the backdrop of the many claims of alleged conspiracy about what happened at Dealey Plaza, and of people with inadequate understanding of the morbid subject matter who attempted to draw conclusions from the film.On that tiresome subject, I will only mention one thing, which I had never known. The film shows that the President, Governor Connolly, and one little girl at the scene heard a shot from the direction of the Schoolbook Depository Building before the car went behind the highway sign. That was discovered during examinations performed some time after the fact.During the years before the question of ownership, which in my view should never have been in dispute, was finally resolved, the Zapruder family was subjected to stresses, insinuations, and accusations of all kinds. And unless one reads this book, one will have not appreciation whatsoever the effort required of them to fulfill what they felt to be the responsibilities thrust upon them with their stewardship of the film.
Superb story of the famous film as well as the Zapruder family. Gracefully written with affection and with facts, it's an engrossing piece of American history explained. A valuable addition to our knowledge of the awful events of 11/22/63.
Twenty-Six Seconds: A Personal History of the Zapruder Film was written by Alexandra Zapruder. The book is more than a history of the Zapruder Film, but a study of a family who was drawn into history by accident. Whereas other books deal with the film itself, this book deals with the interpersonal relationship the book had on a family since 1963.Abraham Zapruder was a quiet man who loved his family and cared for the workers in his dress manufacturing business. He had very strong and high moral character and anyone who knew him was impressed by his honesty and integrity. He was an avid photographer and always had the best and latest photography equipment. On November 22, 1963, he left his business to go to Dealey Plaza in Dallas, Texas, to watch the Presidential motorcade. His assistant, Lillian Rogers suggested he get his new movie camera and take pictures of the Presidential motorcade as it rounded Dealey Plaza. After getting his camera, Abraham found a place on a four-foot-high concrete abutment where he could see above the people to the parade route. As the motorcade entered Dealey Plaza, he began taking pictures and continued until the motorcade had left the area on the way to the hospital. Abraham had frozen while taking his pictures and was blessed with a remarkably steady picture of the death of President John F. Kennedy. He was horrified at the picture he took of Mrs. Kennedy as she screamed. Knowing he had some information, he tried to find a secret service member to give the film to. No one seemed to want it. Finally, through the Dallas Morning News, he was able to get it developed and a copy to the Secret Service. Thus, began the long history of the film.Alexandra Zapruder lets us in on the reactions and decisions by the Zapruder family during its fifty-three years of existence. It is now public domain and the original film belongs to the US Government. She traces its long voyage through the annals of history to the present. She lets us in on the family reactions to everything that took place with the film. She presents proof of the desire of the family to follow Abraham’s mandate that the film not be exploited. He tried to give the film to the government free of charge at the beginning and the family offered free digital copies of the film to the government rather than have imminent domain step in and require the government to pay for it. She sets the record straight that the family was not interested in the power and money the film produced.The book is one which should not be missed by anyone who lived through the horrific event in 1963. Prior to reading the book, I would have sworn that we immediately saw the film on news broadcasts. This was impossible since the first official public viewing of the film wasn’t until 1975. Alexandra writes the book in language the ordinary person can easily understand and yet shows her intense research into the film. She personalizes the story and the book so we understand the misconceptions drawn about the man behind the film and his incredible family. The reader can feel her pain at revealing family reactions and feelings towards such a personal piece of historical evidence. The love the family holds for its members and their moral standards are evident through her writing. The film was more than historical evidence to the family, it was the symbol of their grandfather’s pride and love for his country and the President it lost so suddenly. She brings humanity to the film.
This is a book about the making of the film of Jack Kennedy's assassination in Dallas Texas. The only record that captured the whole event was a film made by a man who was a dress maker, wanting to show it to his family. I remember the film, although I had forgotten the name of the man who had filmed it--Zapruder. I had been at school when the assassination took place. When I told my dentist what I was reading, he said "oh, the Zapruder Film." I recommended this book highly. It tells the whole story of the film, and a good bit about the Zapruders also. I would recommend this book not only to those who remember the assassination, but also to those who are too young to know about it. Perhaps they could understand what this country went through after the assassination.
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